1 00:00:31,453 --> 00:00:32,845 [ Mr. Scone ] Good. 2 00:00:33,062 --> 00:00:33,873 So. 3 00:00:35,209 --> 00:00:39,282 Now, if...If you would stand over here again, 4 00:00:39,317 --> 00:00:41,092 and put the famous chair in the fireplace. 5 00:00:41,127 --> 00:00:44,103 Yes. And drape to the cloth. 6 00:00:44,571 --> 00:00:48,125 as it won't pinch you. or, uh, more languorous. 7 00:00:48,160 --> 00:00:49,533 Hmm? 8 00:00:55,606 --> 00:00:57,576 - And? - Oh, yes. Oh, yes. 9 00:00:59,888 --> 00:01:02,221 Question of getting the right pose, you see. 10 00:01:03,202 --> 00:01:05,834 And making these quick sketches to brood on. 11 00:01:06,756 --> 00:01:10,046 - Then, having selected the one, getting it down with the passion. 12 00:01:10,081 --> 00:01:10,926 - [ Ralph Bellamy ] Quite. 13 00:01:13,792 --> 00:01:17,750 I've no time for Sergeant’s method of painting a face a dozen different ways 14 00:01:17,785 --> 00:01:20,451 and then cutting back to the first one. 15 00:01:20,958 --> 00:01:23,784 - Isn't the ear of the jaw line a little angular? 16 00:01:24,199 --> 00:01:27,398 - Well, huh, ha, I see what you're getting at. It...it's very strong of course. 17 00:01:28,236 --> 00:01:31,466 No, I don't want you drawn soft to flatter him, Lady Marjorie. 18 00:01:31,774 --> 00:01:35,070 Well, I see you as a woman of personality, decision. 19 00:01:35,515 --> 00:01:37,398 Strong loyalty, even. - Ha. 20 00:01:37,433 --> 00:01:39,792 - You're entitled to your opinion, Scone. - Huh, huh, huh. 21 00:01:39,827 --> 00:01:42,014 Shall we turn him out? 22 00:01:42,802 --> 00:01:44,602 Husbands with great trials, mind you. 23 00:01:44,943 --> 00:01:47,053 They look on their wives as possessions 24 00:01:47,688 --> 00:01:50,581 and the portrait as a kind of display case. 25 00:01:51,045 --> 00:01:53,345 - [ MB ] And wives, Mr. Scone? - Huh, huh. 26 00:01:53,750 --> 00:01:55,163 They don't ever see. 27 00:01:55,674 --> 00:01:58,788 Besides, they like their husbands to appear strong men of the world. 28 00:01:58,920 --> 00:02:00,675 Which is much easier to comply with. 29 00:02:01,973 --> 00:02:05,277 I mean if I...I saw your husband as a...a lily, 30 00:02:05,312 --> 00:02:06,880 and wanted to paint him like that, 31 00:02:07,307 --> 00:02:08,937 what you say, huh? 32 00:02:08,972 --> 00:02:10,677 - [ RB ] Send for the police, I should think. 33 00:02:10,712 --> 00:02:11,783 - Ha, ha, ha. 34 00:02:11,973 --> 00:02:14,471 - I just got back... Could you turn this way for me. 35 00:02:14,506 --> 00:02:15,468 - I've come back from Paris. 36 00:02:16,211 --> 00:02:18,644 - Where there's an exhibition of Sebastian, French painting, 37 00:02:18,679 --> 00:02:21,077 which you really must try and see next time you're over there. 38 00:02:23,048 --> 00:02:24,649 - And what shall I see, Mr. Scone? 39 00:02:24,684 --> 00:02:27,373 Life and color as you've never seen before. 40 00:02:27,818 --> 00:02:30,176 - I sent my cousin, young John Strack Ken, 41 00:02:30,211 --> 00:02:32,535 - over to buy a Degas for that drafty seat 42 00:02:32,570 --> 00:02:33,877 - of those in Perkshire. 43 00:02:34,254 --> 00:02:37,194 - But the fool brought one of those Renoir's lush pieces. 44 00:02:37,783 --> 00:02:39,081 - He said the Dowager wouldn't have a 45 00:02:39,116 --> 00:02:41,381 - servant hanging in the drawing room. Huh. 46 00:02:41,416 --> 00:02:42,587 - [ RB ] That old Lady Abercraven? 47 00:02:42,622 --> 00:02:44,298 - Yes, my own sainted aunt. 48 00:02:44,759 --> 00:02:45,937 Uh, head this way a little. 49 00:02:45,972 --> 00:02:47,779 - You'll be going up to Abercraven for the twelfth? 50 00:02:47,814 --> 00:02:50,966 - My dear Bellamy, since I ran a...I'm sorry. 51 00:02:51,001 --> 00:02:54,163 Since I ran away to Paris to become a disreputable painter 52 00:02:54,579 --> 00:02:57,990 I've managed, thank God, to see as little of my family as I wish. 53 00:02:58,242 --> 00:02:59,389 Aw, uh. 54 00:03:01,387 --> 00:03:05,003 - Besides, the destruction of small birds doesn't really interest me. 55 00:03:06,112 --> 00:03:06,922 - Yes. 56 00:03:09,292 --> 00:03:11,247 - [ Sighs ] Now... 57 00:03:12,112 --> 00:03:14,205 - How shall we close the portrait, huh? 58 00:03:14,240 --> 00:03:16,917 Would you like me... - My dear Lady Marjorie. 59 00:03:16,952 --> 00:03:19,594 - An artist and a woman would never agree 60 00:03:19,629 --> 00:03:21,046 - on such a delicate matter. 61 00:03:21,214 --> 00:03:24,236 - Besides, an artists vision is quite different from that of a lady of fashion. 62 00:03:24,782 --> 00:03:27,040 - Uh, will you join me in an honorable compromise? 63 00:03:27,075 --> 00:03:29,969 The two words rarely go together, Mr. Scone, at least not in politics. 64 00:03:30,004 --> 00:03:30,962 - Huh. - And so? 65 00:03:30,997 --> 00:03:34,315 - So, if you would select one or two of your most favored dresses 66 00:03:34,466 --> 00:03:37,116 and have them sent around to me to examine for texture. 67 00:03:37,151 --> 00:03:40,362 Something light and frothy, perhaps, but leave the final decision to me. 68 00:03:40,397 --> 00:03:41,580 - Certainly. - There. 69 00:03:41,615 --> 00:03:43,879 Wouldn't you call that an honorable compromise? 70 00:03:43,914 --> 00:03:47,143 Giving us both the... freedom of decision 71 00:03:47,877 --> 00:03:50,087 yet without the indignity of a battle. 72 00:03:50,122 --> 00:03:52,487 - Yes, I don't think I'd like to fight with you, Mr. Scone. 73 00:03:52,545 --> 00:03:53,898 - At least not yet. 74 00:03:54,688 --> 00:03:57,086 Well, as much as I'm enjoying the carefree atmosphere 75 00:03:57,121 --> 00:03:59,922 of the artist's studio, I'm afraid that affairs of state beckon. 76 00:04:00,542 --> 00:04:03,716 I'm due at the Admiralty in, uh...oh, goodness half an hour. 77 00:04:03,855 --> 00:04:06,688 And the First Sea Lord dislikes unpunctuality. 78 00:04:06,723 --> 00:04:09,470 In fact I require your wife's patience no longer. 79 00:04:09,505 --> 00:04:10,662 The sketches are done 80 00:04:10,697 --> 00:04:11,906 - [ RB ] Oh, good, then you'll begin the paintings? 81 00:04:11,941 --> 00:04:12,845 Tomorrow afternoon. 82 00:04:12,880 --> 00:04:16,866 Capital. Ah, Mr. Scone, I'm sure you'll produce something quite outstanding. 83 00:04:16,901 --> 00:04:19,286 With such a charming subject, how could I fail? 84 00:04:19,321 --> 00:04:21,755 Hudson, will you call a hansom? Mr. Scone is leaving. - Very good. 85 00:04:21,790 --> 00:04:23,177 Uh, no, not for me, thank you. 86 00:04:23,212 --> 00:04:25,778 I'll, uh, walk back to my studio across the park. 87 00:04:26,468 --> 00:04:29,092 Till tomorrow, then, and, you uh, you won't forget the dresses? 88 00:04:29,127 --> 00:04:30,498 - They'll shall be sent out this afternoon, 89 00:04:30,533 --> 00:04:32,913 and I'll expect you here tomorrow at three o'clock? 90 00:04:32,948 --> 00:04:35,462 My lady. Lady Marjorie and Mr. Bellamy. 91 00:04:40,343 --> 00:04:43,020 - Well? - Well, I hope you've chosen the right man. 92 00:04:43,055 --> 00:04:44,874 - He'll be an exciting painter, Richard. 93 00:04:44,909 --> 00:04:46,990 That I don't doubt, but is it necessary for a painter 94 00:04:47,025 --> 00:04:48,026 to talk quite so much? 95 00:04:48,061 --> 00:04:51,159 I found his conversation very interesting and stimulating. 96 00:04:51,194 --> 00:04:54,257 Rather you than me. I don't have to listen him all day. 97 00:04:54,292 --> 00:04:55,940 Well, I must go. Now, uh... 98 00:04:55,975 --> 00:04:57,864 dinner at 8:30, I believe and a white waistcoat? 99 00:04:57,899 --> 00:04:59,939 Uh huh, you won't be late, will you, the Sethels are coming. 100 00:04:59,974 --> 00:05:02,516 I will not be late. And if that talkative fellow 101 00:05:02,551 --> 00:05:05,059 does not do justice to my wife's beauty I shall... 102 00:05:05,094 --> 00:05:06,536 What shall you do? [ Kiss ] 103 00:05:06,571 --> 00:05:07,679 I shall hang him 104 00:05:08,332 --> 00:05:10,209 - next to one of his own portraits. - Huh. 105 00:05:13,764 --> 00:05:17,065 [ Knock on door ] Entrée 106 00:05:18,461 --> 00:05:19,507 [ Knock on door ] 107 00:05:19,829 --> 00:05:21,472 Come in, damn you. 108 00:05:29,336 --> 00:05:30,599 What the devil. 109 00:05:30,634 --> 00:05:32,323 He said to bring these on up, sir. 110 00:05:32,358 --> 00:05:33,038 He? 111 00:05:33,073 --> 00:05:34,681 The tall chap downstairs. 112 00:05:34,716 --> 00:05:36,212 My servant, my servant. 113 00:05:36,369 --> 00:05:37,940 Why didn't he bring them up himself? 114 00:05:39,043 --> 00:05:40,067 What are they, anyway? 115 00:05:40,102 --> 00:05:42,343 - Lady Marjorie Bellamy's dresses, sir. - Oh. 116 00:05:48,078 --> 00:05:49,197 Will that be all, sir? 117 00:05:49,646 --> 00:05:50,552 What's your name? 118 00:05:50,856 --> 00:05:52,487 Sarah,...sir. 119 00:05:53,301 --> 00:05:55,124 You can drop the "sir" with me. 120 00:05:55,557 --> 00:05:57,048 You don't like saying it, anyway. 121 00:05:57,083 --> 00:05:59,014 How do you know what I don't like saying? 122 00:05:59,658 --> 00:06:02,821 Hold that. I want you to show me these dresses. 123 00:06:11,219 --> 00:06:12,361 Hold out. Come on. 124 00:06:12,634 --> 00:06:14,131 Hold it up. Hold it up. 125 00:06:15,420 --> 00:06:17,584 Dyesh! Looks like a dust sheet. 126 00:06:18,156 --> 00:06:19,016 Next. 127 00:06:23,197 --> 00:06:26,533 Ah, the simple milkmaid. I might have known 128 00:06:26,568 --> 00:06:28,373 there'd be one of those. Huh. 129 00:06:28,576 --> 00:06:32,439 It never works over 41, and they never learn. 130 00:06:32,474 --> 00:06:35,157 - Ohh, come off it! She never suppose you're lookin' for her age. 131 00:06:35,192 --> 00:06:37,048 But a tyrant underneath, are they, uh? 132 00:06:37,083 --> 00:06:38,759 I don't think you ought to ask me that. 133 00:06:38,794 --> 00:06:40,383 What about the butler? 134 00:06:40,575 --> 00:06:43,231 - Is he with you? - Pooh, I'd like to see him try. 135 00:06:43,266 --> 00:06:43,862 - Ha, ha. 136 00:06:43,897 --> 00:06:46,150 Now. But you're afraid of him. 137 00:06:46,185 --> 00:06:47,568 I'm not afraid of no one. 138 00:06:47,603 --> 00:06:50,380 When he's a little bad to me he gives us a hour shop every week 139 00:06:50,415 --> 00:06:51,325 much more than most. 140 00:06:51,360 --> 00:06:52,026 When's yours? 141 00:06:52,027 --> 00:06:52,930 Wednesdays. 142 00:06:53,757 --> 00:06:54,652 What do they pay you? 143 00:06:54,867 --> 00:06:56,055 Mind your own business. 144 00:06:57,134 --> 00:06:59,661 Ten pounds a year and a bed in the basement. 145 00:06:59,696 --> 00:07:01,835 Noo, old clever, it is twice that much 146 00:07:01,870 --> 00:07:02,947 and a room in the attic. 147 00:07:02,948 --> 00:07:04,206 And Rose gets thirty. 148 00:07:04,425 --> 00:07:05,204 Whose Rose? 149 00:07:05,239 --> 00:07:05,960 She's my friend. 150 00:07:06,461 --> 00:07:08,817 We've got this lovely room up top together. 151 00:07:08,892 --> 00:07:10,646 And when we get a bit of money together 152 00:07:10,681 --> 00:07:12,981 we're going up in a boarding house in Brighton. 153 00:07:13,095 --> 00:07:14,538 No! Next. 154 00:07:15,570 --> 00:07:18,004 Uh, you'd better fancy this one. 155 00:07:18,464 --> 00:07:21,034 - Yes, put it on. Put it on. - Because it's the last. 156 00:07:21,322 --> 00:07:22,349 - My word. 157 00:07:23,909 --> 00:07:25,315 - Eh, come over here. Come over here. 158 00:07:28,767 --> 00:07:29,658 Ah. 159 00:07:32,905 --> 00:07:33,955 Now, look. 160 00:07:34,523 --> 00:07:37,563 Will you bury all that beauty in a boarding house in Brighton? 161 00:07:37,924 --> 00:07:40,676 - Hmm. I want to thank you, Brighton. 162 00:07:40,896 --> 00:07:43,499 - Bowls at the pavilion, and a gentleman to hand me 163 00:07:43,534 --> 00:07:45,674 - after my bathing machine into the water. 164 00:07:45,795 --> 00:07:49,260 - And perhaps a drive along the front in a motor car. 165 00:07:49,295 --> 00:07:50,002 Hmm. 166 00:07:50,945 --> 00:07:53,426 He's talking a now they let you girls read. 167 00:07:53,461 --> 00:07:55,058 Huh. He's never been to Brighton. 168 00:07:55,093 --> 00:07:56,620 - Aw. Me thoughts are all the same. 169 00:07:56,655 --> 00:07:58,152 - You've seen one, you've seen 'em all. 170 00:07:58,187 --> 00:07:59,040 Yes, that's the one. 171 00:07:59,075 --> 00:07:59,669 - Pardon? 172 00:07:59,704 --> 00:08:00,301 That's the one. 173 00:08:00,517 --> 00:08:02,792 Tell your mistress, that's the one I want her to wear. 174 00:08:03,014 --> 00:08:05,470 Now, put them all back in the box and off you go. 175 00:08:10,311 --> 00:08:11,789 - I've been to South End. 176 00:08:13,827 --> 00:08:14,801 - Rose! 177 00:08:15,637 --> 00:08:17,116 - Rose. - Where have you been? 178 00:08:17,151 --> 00:08:18,766 -You've only got five minutes to change. 179 00:08:18,801 --> 00:08:21,688 - Time to set drawing room two. - Rose, I've got a letter. 180 00:08:22,243 --> 00:08:23,569 - Look, it says by hand. 181 00:08:23,604 --> 00:08:25,199 I managed to read that much myself. 182 00:08:25,234 --> 00:08:26,714 You'll have to do the rest. 183 00:08:26,749 --> 00:08:28,194 - You try. - You know I can't. 184 00:08:28,229 --> 00:08:29,693 You can if you persevere. 185 00:08:29,728 --> 00:08:30,979 Oh, Rose, it's not like print. 186 00:08:31,014 --> 00:08:32,982 Real write is different with all them squiggles. 187 00:08:33,017 --> 00:08:35,538 It's too hard for me. Please, Rose. 188 00:08:35,539 --> 00:08:37,808 If you don't hurry up, you'll be late downstairs. 189 00:08:38,611 --> 00:08:39,808 Where'd you get it then? 190 00:08:39,843 --> 00:08:42,537 Rose, I was coming down the (idean) steps, 191 00:08:42,711 --> 00:08:45,887 and...this chap handed it to me. 192 00:08:45,922 --> 00:08:47,090 - What sort of chap? 193 00:08:47,125 --> 00:08:49,337 Oh, nobody special, just ordinary looking. 194 00:08:49,372 --> 00:08:51,549 And he gave it to you, just like that? 195 00:08:51,584 --> 00:08:52,789 Yes, just like that. 196 00:08:53,744 --> 00:08:55,470 Well, don't you believe me? 197 00:08:55,663 --> 00:08:58,245 But, go on open it, maybe it'll show who it's from. 198 00:08:59,051 --> 00:09:00,188 What's it say? 199 00:09:00,408 --> 00:09:03,480 If this is one of your games. 200 00:09:05,575 --> 00:09:07,956 Who'd you get to write if for you, then? 201 00:09:07,991 --> 00:09:10,897 Same person as wrote your French reference, I suppose. 202 00:09:10,932 --> 00:09:13,241 Well, you may have fooled Lady Marjorie and the agency, 203 00:09:13,276 --> 00:09:14,496 but you can't fool me. 204 00:09:14,531 --> 00:09:16,964 Rose, honest to God and cut me throat 205 00:09:16,999 --> 00:09:18,296 if I tell a lie. 206 00:09:22,622 --> 00:09:29,802 'Divine Sarah', Divine Sarah! 'There will be a cab waiting for you 207 00:09:29,837 --> 00:09:32,607 'at the end of your street on the corner of the square 208 00:09:32,642 --> 00:09:34,320 'on Wednesday at seven. 209 00:09:34,561 --> 00:09:36,673 'The cabbie will bring you to me. 210 00:09:37,301 --> 00:09:39,811 'Ask no questions.' 211 00:09:40,140 --> 00:09:41,746 - Who's it from! 212 00:09:41,993 --> 00:09:44,127 It's signed, 'An admirer.' 213 00:09:44,230 --> 00:09:46,492 - Where? - There! 214 00:09:48,055 --> 00:09:50,023 Ad-mirer. 215 00:09:50,216 --> 00:09:51,911 - You expect me to believe that? 216 00:09:51,946 --> 00:09:53,877 Well, why shouldn't I have an admirer. 217 00:09:53,912 --> 00:09:56,883 - Who is he, then? - Oh, um, probably someone 218 00:09:56,918 --> 00:09:59,854 - who's seen me around in the park or something. 219 00:09:59,915 --> 00:10:01,837 - Oh, now does he know your name? 220 00:10:01,960 --> 00:10:03,551 - "Divine Sarah." 221 00:10:03,586 --> 00:10:06,490 - Sarah Bernhardt. She's an actress, French woman. 222 00:10:06,815 --> 00:10:08,209 - He's laughing at you. 223 00:10:08,244 --> 00:10:10,034 - He shouldn't even laugh real easily 224 00:10:10,069 --> 00:10:12,633 - Oh, I won't sleep tonight. I wonder who it's gonna' 225 00:10:12,668 --> 00:10:13,633 - turn out to be. 226 00:10:13,729 --> 00:10:15,282 - You're not going. - Why not! 227 00:10:16,047 --> 00:10:19,054 - Gentlemen don't make assignations with house maids 228 00:10:19,089 --> 00:10:22,234 - for the charm of their conversation, you know. 229 00:10:22,269 --> 00:10:25,113 - Assignations! Oh, that sounds very romantic. 230 00:10:25,148 --> 00:10:27,957 Not so romantic when you're turned off in disgrace 231 00:10:27,992 --> 00:10:29,542 - and the father won't marry you. - Oh. 232 00:10:30,027 --> 00:10:31,922 - They never do, you know. 233 00:10:32,799 --> 00:10:35,949 - When it's all over you're thrown in the corner 234 00:10:35,984 --> 00:10:38,623 - like a rag doll the moths have been at. 235 00:10:39,103 --> 00:10:42,078 - Sometimes girls don't come back at all. 236 00:10:42,345 --> 00:10:45,593 - They end up on a slab in a morgue. 237 00:10:45,628 --> 00:10:48,806 - Don't, you make me feel all funny. 238 00:10:48,841 --> 00:10:50,791 - How can you bear anyone pulling you about? 239 00:10:50,826 --> 00:10:52,578 - Aw, it's only you says he will. 240 00:10:52,613 --> 00:10:54,546 - If he's a gentleman... - If he's a gentleman 241 00:10:54,581 --> 00:10:55,983 - he'll pull you about. 242 00:10:56,966 --> 00:10:58,155 - Sarah, don't go. 243 00:10:58,190 --> 00:11:00,542 - Don't worry, Rose, I'm ever so strong. 244 00:11:00,624 --> 00:11:02,136 - If'n he gets you tipsy? 245 00:11:02,171 --> 00:11:04,323 - Yeah, that's right, I'm bubbly. 246 00:11:14,649 --> 00:11:16,631 Very refreshing, I must say. 247 00:11:34,835 --> 00:11:37,073 What's that bed doing there? It wasn't there before. 248 00:11:38,213 --> 00:11:40,606 - For models...posing. 249 00:11:41,089 --> 00:11:42,800 - Sometimes I use it myself. 250 00:11:42,858 --> 00:11:43,887 I'll bet. 251 00:11:46,867 --> 00:11:50,734 Um,...what was this proposition that you 252 00:11:50,769 --> 00:11:52,095 wanted to talk to me about? 253 00:11:52,727 --> 00:11:55,202 I only take propositions from gentlemen, mind. 254 00:11:55,237 --> 00:11:56,283 - How do you know I'm not a gentleman? 255 00:11:56,318 --> 00:11:57,752 Cause you're a painter! 256 00:11:57,787 --> 00:11:59,361 - Hah, cousin to an earl. 257 00:11:59,396 --> 00:12:00,899 Ooh, and I'm (bobbing) away. 258 00:12:00,934 --> 00:12:02,402 - It's true! - Prove it! 259 00:12:02,654 --> 00:12:05,122 I'm not going to parade my family tree 260 00:12:05,157 --> 00:12:06,743 for your inspection. Ha, ha. 261 00:12:08,605 --> 00:12:12,212 Well, go on. Off you go. Finish your champagne. 262 00:12:12,247 --> 00:12:13,347 Back home to Rose. 263 00:12:15,606 --> 00:12:18,502 Isn't it a little bit late for you to be out? Hmm? 264 00:12:19,464 --> 00:12:20,640 Of course you won't have much to tell, 265 00:12:20,675 --> 00:12:22,767 but I'm sure you'll make up something as you go along. 266 00:12:24,239 --> 00:12:27,037 Look...is your cousin really an earl? 267 00:12:27,621 --> 00:12:28,820 [ Wink ] 268 00:12:29,559 --> 00:12:30,754 [ Sip ] 269 00:12:32,893 --> 00:12:37,146 Um...Rose said that if you turned out to be a gent, 270 00:12:37,860 --> 00:12:39,734 I wasn't to trust you. 271 00:12:39,769 --> 00:12:41,609 Rose is a very wise girl. 272 00:12:44,288 --> 00:12:46,632 Rose says this Sarah... what's her name? 273 00:12:46,682 --> 00:12:47,794 - Bernhardt. - Yes. 274 00:12:47,829 --> 00:12:49,500 Uh, is a French actress. 275 00:12:49,848 --> 00:12:51,689 The "Divine Sarah." 276 00:12:52,496 --> 00:12:54,539 I thought you wouldn't be able to resist that. 277 00:12:55,173 --> 00:12:56,644 Sarah Bernhardt! 278 00:12:56,753 --> 00:12:58,435 The greatest actress in the world. 279 00:12:59,445 --> 00:13:03,045 Umm. A consummate artist. [ A toast ] 280 00:13:03,425 --> 00:13:05,067 - Are you a consummate artist? 281 00:13:05,102 --> 00:13:07,788 - Of course. - Well you look healthy enough to me. 282 00:13:07,823 --> 00:13:10,625 Ha, ha. [ Sighs ] 283 00:13:10,660 --> 00:13:11,675 - What's your Christian name? 284 00:13:11,945 --> 00:13:13,172 I never use it. 285 00:13:13,595 --> 00:13:15,153 Everybody calls me Scone. 286 00:13:15,621 --> 00:13:16,838 Scone? 287 00:13:17,735 --> 00:13:20,977 Scone is for tea. Buttered please. 288 00:13:21,626 --> 00:13:22,671 Yes. 289 00:13:24,002 --> 00:13:26,043 - Now, let's get down to my proposition, shall we? 290 00:13:26,539 --> 00:13:27,670 All right, what is it? 291 00:13:29,259 --> 00:13:30,486 - I want to paint you. 292 00:13:30,871 --> 00:13:32,422 - Paint me! - Uh, huh. 293 00:13:34,466 --> 00:13:37,016 - You mean like Lady Marjorie? - That's right. 294 00:13:37,051 --> 00:13:37,682 Why? 295 00:13:38,512 --> 00:13:39,538 Your face. 296 00:13:39,862 --> 00:13:41,270 It interests me. 297 00:13:42,511 --> 00:13:44,300 - My face? - Uh, huh. 298 00:13:45,788 --> 00:13:48,124 Uh, would I be hung up on the wall 299 00:13:48,159 --> 00:13:49,136 for everybody to look at? 300 00:13:49,171 --> 00:13:50,822 - If I paint you well enough, yes. 301 00:13:50,857 --> 00:13:51,786 I can't pay you nothing. 302 00:13:51,821 --> 00:13:52,951 It won't cost you a farthing. 303 00:13:53,291 --> 00:13:55,381 Oh, you'll have to come on your afternoons off. 304 00:13:57,917 --> 00:13:58,830 All right. 305 00:13:59,143 --> 00:13:59,882 Good. 306 00:14:01,685 --> 00:14:03,042 We'll start. 307 00:14:04,486 --> 00:14:05,870 At once. 308 00:14:06,159 --> 00:14:06,916 - Right now? 309 00:14:07,021 --> 00:14:08,502 Right now, at once. 310 00:14:08,626 --> 00:14:10,627 - Now, get into that bed. - Aw, come on you... 311 00:14:10,662 --> 00:14:11,665 - Take your hat off. - Stop it! 312 00:14:11,700 --> 00:14:12,668 - Put your hair down. - Leave me.. 313 00:14:12,703 --> 00:14:13,635 - Take your blouse off. - Oh! 314 00:14:13,670 --> 00:14:14,636 - That's it. - No! 315 00:14:14,637 --> 00:14:15,637 - Now, into bed. - Don't touch me! 316 00:14:15,638 --> 00:14:17,479 - Into bed. - Lady Marjorie never 317 00:14:17,514 --> 00:14:18,920 - takes her clothes off. 318 00:14:19,468 --> 00:14:20,582 There you are! 319 00:14:20,995 --> 00:14:22,627 That's how I want to paint you. 320 00:14:23,392 --> 00:14:25,573 Your pale face against the shadows. 321 00:14:26,448 --> 00:14:28,130 Now, my divine Sarah 322 00:14:29,007 --> 00:14:33,101 all you have to do is to keep very still. 323 00:14:36,901 --> 00:14:37,767 Um. 324 00:14:44,720 --> 00:14:46,487 Here... - Be still! 325 00:14:47,774 --> 00:14:52,110 [ Bedroom door opens ] 326 00:14:54,101 --> 00:14:56,334 - I thought you'd be asleep. [ Door closes ] 327 00:14:56,369 --> 00:14:58,424 You told me to wait up. 328 00:14:59,516 --> 00:15:01,454 - You'll be ever so tired in the morning. 329 00:15:06,065 --> 00:15:07,183 - What'cha reading? 330 00:15:07,593 --> 00:15:09,793 The Dark in the Eagles Nest. 331 00:15:10,123 --> 00:15:11,576 - Not the Bible? 332 00:15:11,967 --> 00:15:14,546 It's by Charlotte M. Young. 333 00:15:22,431 --> 00:15:24,091 - Do you have a (company) novelette? 334 00:15:26,030 --> 00:15:30,707 Um, my friend said that all servant girls 335 00:15:30,742 --> 00:15:32,054 read (company) novelettes. 336 00:15:33,156 --> 00:15:35,285 But, aren't you gonna ask me what happened? 337 00:15:35,703 --> 00:15:36,971 If you like. 338 00:15:37,015 --> 00:15:41,198 Yes, but half the fun is telling you, Rose. See? 339 00:15:42,812 --> 00:15:44,862 - Is it? - Oh, we've done nothing wicked. 340 00:15:44,897 --> 00:15:46,075 Come here. 341 00:15:46,526 --> 00:15:47,464 Breathe. 342 00:15:47,535 --> 00:15:48,809 [ Blowing breath ] 343 00:15:48,938 --> 00:15:50,386 You've been drinking, haven't you? 344 00:15:50,421 --> 00:15:52,533 Champagne! 345 00:15:52,657 --> 00:15:55,190 It's not a drink. It's a nectar. 346 00:15:55,278 --> 00:15:59,031 The nectar of the gods. The milk of Bacchus. 347 00:15:59,066 --> 00:16:00,664 Shh, you'll wake Alfred. 348 00:16:00,699 --> 00:16:02,262 Aw, never mind Alfred. 349 00:16:02,739 --> 00:16:06,222 Well, how you gonna (work the new ruf) and it turned out to be. 350 00:16:07,310 --> 00:16:09,133 Go on, ask me. 351 00:16:09,582 --> 00:16:13,370 All right, who did your friend turn out to be? 352 00:16:13,500 --> 00:16:15,720 - Scone! - Who? 353 00:16:15,755 --> 00:16:19,108 Scone, the gentleman who's painting Lady Marjorie. 354 00:16:19,143 --> 00:16:21,854 He's gonna paint me in oil. He thinks I'm beautiful. 355 00:16:21,889 --> 00:16:23,276 Ho, ho, ho. Paint you! 356 00:16:23,311 --> 00:16:25,502 He wanted the (offer), but I was firm. 357 00:16:25,537 --> 00:16:28,414 We know how artists are. But, he still wants to set me up 358 00:16:28,449 --> 00:16:29,902 in a little flat of my own. 359 00:16:30,684 --> 00:16:33,642 But if that's what he wants, why does he bother painting you? 360 00:16:33,738 --> 00:16:36,775 Aw, Rose, you see, he's been in Paris all this while, 361 00:16:36,810 --> 00:16:39,813 but really artist's have their mistresses is smuggled, 362 00:16:39,848 --> 00:16:44,307 and they go on painting until they become famous. 363 00:16:45,566 --> 00:16:50,317 I told him all about you and how we share this room together. 364 00:16:51,801 --> 00:16:53,839 Going there every Wednesday when I get them up 365 00:16:53,874 --> 00:16:55,319 and on Sundays, too. 366 00:16:55,354 --> 00:16:56,389 But what for? 367 00:16:56,424 --> 00:16:59,356 To sit for him, like Lady Marjorie does 368 00:16:59,391 --> 00:17:00,467 when he paints her. 369 00:17:00,968 --> 00:17:04,780 Incidentally, he's ever so rich and a cousin to an earl. 370 00:17:05,477 --> 00:17:08,364 He thinks I'm beautiful. Isn't that a lark? 371 00:17:08,569 --> 00:17:10,610 Now, you listen to me, Sarah. 372 00:17:10,645 --> 00:17:13,786 He'll dangle his money and his position in front of you 373 00:17:13,821 --> 00:17:16,068 till you can't hold out no more. 374 00:17:16,549 --> 00:17:19,469 The painting's just an excuse to keep going there 375 00:17:19,504 --> 00:17:20,940 while he works on you. 376 00:17:20,975 --> 00:17:22,377 Can't you see that? 377 00:17:22,532 --> 00:17:25,294 Look, Rose, what else have I got to do? 378 00:17:25,446 --> 00:17:28,188 It isn't as if you and me have the same night off. 379 00:17:28,206 --> 00:17:30,964 I'm lonely by myself. I'm not used to it. 380 00:17:31,779 --> 00:17:34,954 Rose, (he) rather than go walking on the street on my own. 381 00:17:34,989 --> 00:17:36,828 I might just as well be there with him. 382 00:17:38,114 --> 00:17:40,188 Don't be cross with me, Rose. 383 00:17:40,852 --> 00:17:42,563 I can't help how I'm made. 384 00:17:44,646 --> 00:17:46,120 Come to bed. 385 00:18:01,580 --> 00:18:03,625 - Rose. - Yes. 386 00:18:04,733 --> 00:18:06,268 - Am I beautiful? 387 00:18:08,404 --> 00:18:10,027 Go to sleep, Sarah. 388 00:18:15,008 --> 00:18:17,519 You must have been dining at Windsor. - Huh, huh, huh. 389 00:18:19,123 --> 00:18:20,649 - Light's fading fast. 390 00:18:21,847 --> 00:18:23,494 - In a moment your servant will come in 391 00:18:23,529 --> 00:18:25,182 - and shut it all out with the curtains. 392 00:18:25,631 --> 00:18:27,333 - That will be the end of us. 393 00:18:29,934 --> 00:18:31,793 I like you best by sunset. 394 00:18:33,398 --> 00:18:35,947 What the French painters call (soufé). 395 00:18:37,427 --> 00:18:38,132 Yes. 396 00:18:38,585 --> 00:18:39,453 Sunset. 397 00:18:40,017 --> 00:18:41,188 That's your moment. 398 00:18:41,924 --> 00:18:44,772 - Are you a poet as well as a painter? - Huh, huh. 399 00:18:46,511 --> 00:18:49,005 - You have very fine hands, Lady Marjorie. 400 00:18:49,877 --> 00:18:51,698 I shall make them pieces of mist 401 00:18:52,446 --> 00:18:54,486 yet with a touch of bone underneath. 402 00:18:54,521 --> 00:18:56,171 Because that's how you are. 403 00:18:56,509 --> 00:18:58,186 You get to know your subjects that well 404 00:18:58,221 --> 00:18:59,487 simply by painting them? 405 00:18:59,522 --> 00:19:01,532 - I know what you mean to me in terms of paint. 406 00:19:01,567 --> 00:19:03,543 - Oh, that's not very flattering. - Huh, huh. 407 00:19:03,578 --> 00:19:05,545 Women like to be known for themselves. 408 00:19:05,580 --> 00:19:07,260 - Rubbish, if I may say so. 409 00:19:08,091 --> 00:19:09,772 You don't want anybody to know you. 410 00:19:10,263 --> 00:19:11,308 Nobody does. 411 00:19:12,121 --> 00:19:14,411 We (all own) our mystery. 412 00:19:15,318 --> 00:19:17,267 Our own and everyone else's. 413 00:19:18,502 --> 00:19:22,692 So we arrange our surfaces to give our chosen impression. 414 00:19:24,650 --> 00:19:25,847 - And the painter? 415 00:19:26,564 --> 00:19:28,393 Rearranges them to give his. 416 00:19:28,733 --> 00:19:31,284 - Ah, but supposing he's wrong? - Huh. He can't be. 417 00:19:32,543 --> 00:19:33,486 It's his. 418 00:19:34,611 --> 00:19:37,532 The product of a trained mind and eye. 419 00:19:37,567 --> 00:19:39,274 Is that what you friend's are trying to do 420 00:19:39,309 --> 00:19:40,982 in those French paintings you want me to see? 421 00:19:41,017 --> 00:19:42,121 - Perhaps. 422 00:19:43,002 --> 00:19:45,817 - You may say you see them quite differently, of course. 423 00:19:46,200 --> 00:19:48,932 There's no neat nugget of a moral you can take away 424 00:19:48,967 --> 00:19:49,919 and forget the picture. 425 00:19:51,448 --> 00:19:52,691 It's not art. 426 00:19:53,758 --> 00:19:55,387 It's not even life anymore. 427 00:19:56,458 --> 00:19:59,891 Life itself is a series of colorful moments. 428 00:20:00,567 --> 00:20:01,812 And morality? 429 00:20:02,292 --> 00:20:03,899 Largely hypocrisy. 430 00:20:04,929 --> 00:20:07,237 You know you talk more like a Fabian. 431 00:20:07,332 --> 00:20:10,379 - A nephew of the Countess of Abercraven, huh? - Um. 432 00:20:10,414 --> 00:20:11,106 - Huh, huh, huh. 433 00:20:11,331 --> 00:20:13,911 - Would you take up the pose, just a little? - Sorry. 434 00:20:13,946 --> 00:20:15,604 Thank you. Head up. You see. 435 00:20:18,890 --> 00:20:21,884 Now, I'm a little frightened of what your picture may show. 436 00:20:21,961 --> 00:20:23,932 - Of what you see. - Good. 437 00:20:24,310 --> 00:20:26,280 We'll keep the (mask) dropped a little. 438 00:20:26,315 --> 00:20:27,857 [ Door opens ] 439 00:20:28,143 --> 00:20:30,578 There. We shall be left alone no longer. 440 00:20:30,978 --> 00:20:33,586 - Shall I draw the curtains, Lady, Mr. Scone? 441 00:20:33,621 --> 00:20:35,145 - Yeah. - Yes, Sarah, you may. 442 00:20:37,830 --> 00:20:39,431 (Vous pouvez vous, Madame?) 443 00:20:39,931 --> 00:20:43,226 - Thank you, Lady. The bright day is done. 444 00:20:43,266 --> 00:20:45,153 - (Hurrah) for the dark. - Hm, hm. 445 00:20:45,188 --> 00:20:47,040 - You'll stay for tea? - If I may. 446 00:21:10,709 --> 00:21:11,572 All right. 447 00:21:12,720 --> 00:21:13,686 You can have a rest. 448 00:21:14,750 --> 00:21:17,979 - [ Stretch; yawn ] 449 00:21:20,031 --> 00:21:21,662 - Scone? Umm? 450 00:21:21,697 --> 00:21:24,035 - Will you bring me some champagne? 451 00:21:25,000 --> 00:21:27,129 [ Bowing ] Very good me lady. 452 00:21:27,204 --> 00:21:29,114 - Huh, huh, huh. - [ Chuckle ] 453 00:21:31,941 --> 00:21:33,428 - [ Clears throat ] 454 00:21:42,188 --> 00:21:44,191 - To the divine Sarah. 455 00:21:44,942 --> 00:21:46,457 - The divine Sarah. 456 00:21:51,510 --> 00:21:53,960 [ Sarah hums ] 457 00:21:54,505 --> 00:21:56,758 - It's funny to be in bed with your boots on. 458 00:21:58,246 --> 00:21:59,090 - Here. 459 00:22:00,059 --> 00:22:02,042 - Still got an (hour's leg). 460 00:22:02,077 --> 00:22:04,025 - What are you up to, now? Um? 461 00:22:04,541 --> 00:22:07,248 What dream world are you concocting for yourself, 462 00:22:07,283 --> 00:22:08,474 - you little fantasist? 463 00:22:08,509 --> 00:22:09,666 What's a fantasist? 464 00:22:09,851 --> 00:22:11,504 - Someone who lives on airy nothing 465 00:22:11,539 --> 00:22:13,157 - for tomorrows that never come. 466 00:22:13,192 --> 00:22:15,608 Yes! Airy nothing 467 00:22:15,884 --> 00:22:18,316 and tomorrows that never come 468 00:22:18,857 --> 00:22:22,902 Oh, God, how much longer must I wait for tomorrows? 469 00:22:22,937 --> 00:22:26,948 My noble earl of tomorrows will never bloody come. 470 00:22:27,373 --> 00:22:31,664 For... he is the father of my luckless child. 471 00:22:31,831 --> 00:22:34,269 My wild seducer. 472 00:22:34,304 --> 00:22:37,654 And it is my Lord Tomorrow's fault 473 00:22:37,689 --> 00:22:41,005 that I'm cast out into the storm 474 00:22:41,040 --> 00:22:43,650 in my rags and tatters. 475 00:22:43,685 --> 00:22:45,704 Cold and...ow! 476 00:22:46,306 --> 00:22:47,552 I dropped the baby. 477 00:22:47,713 --> 00:22:51,515 There, there, child. Do not cry. 478 00:22:51,521 --> 00:22:53,191 You are unharmed. 479 00:22:53,226 --> 00:22:57,450 - All right, Madame Bernhardt, [ Slap ] - Ow! - that will do. 480 00:22:58,143 --> 00:23:01,616 - Is that my applause, (Valou)? - No, that's you signal 481 00:23:01,651 --> 00:23:03,225 to get back to work. Now, come on. 482 00:23:07,408 --> 00:23:09,796 I saw one of them varmints at the Lyceum once. 483 00:23:09,831 --> 00:23:13,335 - He was this lord, and he... - And keep your mouth shut. 484 00:23:16,642 --> 00:23:18,898 [ Scone hums ] 485 00:23:25,893 --> 00:23:28,073 What about the boarding house in Brighton? 486 00:23:28,914 --> 00:23:31,111 [ Lips tightly closed ] 487 00:23:32,528 --> 00:23:34,532 I asked you a question. 488 00:23:39,302 --> 00:23:42,299 You can move your mouth now. 489 00:23:42,701 --> 00:23:45,591 - Sank you. - Well? 490 00:23:48,097 --> 00:23:50,663 - I don't know. Rose rarely talks to me nowadays. 491 00:23:52,322 --> 00:23:53,913 - She don't like me coming here with you. 492 00:23:53,948 --> 00:23:54,663 Huh, huh. 493 00:23:55,308 --> 00:23:57,723 Does she still think I'm after your virtue? 494 00:23:58,160 --> 00:23:59,348 - She doesn't trust you. 495 00:24:01,306 --> 00:24:02,807 - She says... - Yes? 496 00:24:04,757 --> 00:24:07,968 If you were honest you'd pay me. 497 00:24:09,095 --> 00:24:11,589 - D'you think I should? - Models get paid. 498 00:24:11,624 --> 00:24:12,759 So do prostitutes. 499 00:24:13,009 --> 00:24:14,507 - Here, you! 500 00:24:15,612 --> 00:24:18,290 - What d'you think you're worth? - Aw, keep your money 501 00:24:18,325 --> 00:24:19,456 I'm not like that. 502 00:24:19,791 --> 00:24:20,422 Huh. 503 00:24:23,442 --> 00:24:24,959 No, Rose is right. 504 00:24:25,453 --> 00:24:26,914 I ought to reward you. 505 00:24:29,652 --> 00:24:31,263 Maybe I should take you out somewhere 506 00:24:31,298 --> 00:24:33,517 or buy you a new hat or something. I don't know. 507 00:24:34,997 --> 00:24:36,265 What do girls like? 508 00:24:36,638 --> 00:24:38,629 - You should know what a French girl would like. 509 00:24:38,664 --> 00:24:40,621 It's what English girls like, that's the problem. 510 00:24:41,244 --> 00:24:42,817 I've been away too long. 511 00:24:44,587 --> 00:24:45,474 You'll have to help me. 512 00:24:45,972 --> 00:24:47,182 Now, what's it to be? 513 00:24:48,542 --> 00:24:50,851 - Anything? - Within reason. 514 00:24:51,798 --> 00:24:53,186 - The Bioscope. 515 00:24:54,028 --> 00:24:54,863 The what? 516 00:24:54,937 --> 00:24:57,663 The Daily Bioscope on Bishop's Gate Street. 517 00:24:57,698 --> 00:24:58,963 That's within reason. 518 00:24:59,187 --> 00:25:00,703 - Moving pictures? - Yeah! 519 00:25:00,738 --> 00:25:02,218 Alfred went once on his night off, 520 00:25:02,253 --> 00:25:03,728 and he told us all about it. 521 00:25:03,792 --> 00:25:06,759 They're real people, not painting and still, 522 00:25:06,794 --> 00:25:11,429 but...moving and motorcars in all seasons. The King, himself. 523 00:25:11,464 --> 00:25:12,448 - I know. 524 00:25:12,483 --> 00:25:14,956 Have you been? Oh, take me. You promised. 525 00:25:14,991 --> 00:25:18,137 - Then what is so exciting about the series of flickering shapes? 526 00:25:18,172 --> 00:25:19,414 Because they're real! 527 00:25:19,449 --> 00:25:22,281 They happen just like that. Nobody made them up. 528 00:25:22,316 --> 00:25:23,101 They're true! 529 00:25:23,136 --> 00:25:24,022 And what about art? 530 00:25:25,343 --> 00:25:28,205 Aw, art's all right for those than can afford it 531 00:25:28,240 --> 00:25:31,152 - but...it's not true, is it? - Naw. 532 00:25:31,187 --> 00:25:32,882 - Well, I'll tell you something. - Yes, but... 533 00:25:32,917 --> 00:25:34,543 - Can we go? - Be quiet and listen. 534 00:25:35,315 --> 00:25:36,847 They've betrayed art. 535 00:25:37,627 --> 00:25:39,772 All the academicians that have spent a lifetime 536 00:25:39,807 --> 00:25:43,164 painting a...a chair so exact that you could almost sit on it. 537 00:25:43,192 --> 00:25:45,032 And now they take sixty pictures first 538 00:25:45,067 --> 00:25:47,281 to make sure to get every angle, right? 539 00:25:47,316 --> 00:25:49,496 They are destroying artistic imagination. 540 00:25:49,907 --> 00:25:50,936 You know what will happen? 541 00:25:51,021 --> 00:25:54,580 We will be so sickened by these pictures of eight photographs 542 00:25:54,870 --> 00:25:57,417 that we won't be able to paint a human being at all. 543 00:25:57,452 --> 00:26:01,161 And it'll be your fault, with your naive demand for the truth. 544 00:26:01,196 --> 00:26:04,319 - It's not my fault. - Um. Get ready. - Are we going? 545 00:26:04,403 --> 00:26:07,633 Who am I to stop the march of civilization? 546 00:26:07,668 --> 00:26:10,553 - Allons. - Pardon. - Au Bioscope. - Huh? 547 00:26:11,164 --> 00:26:12,344 - Get dressed! 548 00:26:12,511 --> 00:26:16,480 - Oh, we're going! - Yes. - Ohhh. - Ha, ha, ha. 549 00:26:18,033 --> 00:26:19,687 - It was kind of you to take it away 550 00:26:19,722 --> 00:26:21,341 - and frame it yourself. - Not at all. 551 00:26:21,607 --> 00:26:23,743 - To the inexperienced eye an unframed canvas 552 00:26:23,778 --> 00:26:25,170 - always looks like rough work. 553 00:26:25,269 --> 00:26:27,012 - Also I wish to give you pleasure. 554 00:26:27,396 --> 00:26:29,264 - You're very courteous, Mr. Scone. [ Door opens ] 555 00:26:29,299 --> 00:26:30,321 - Ah, Richard. 556 00:26:30,356 --> 00:26:31,865 - I hope I'm not too late. [ Door closes ] 557 00:26:31,900 --> 00:26:33,849 - [ Scone ] Lady Marjorie tells me that she's as impatient 558 00:26:33,884 --> 00:26:35,662 - as a child before a coveted treat. 559 00:26:35,698 --> 00:26:37,847 - Well, I must say I'm a little curious myself. 560 00:26:37,882 --> 00:26:39,195 We've never had a portrait before. 561 00:26:39,462 --> 00:26:41,328 Well, ah, where would you like us to stand 562 00:26:41,363 --> 00:26:42,938 for the, uh, for the unveiling. 563 00:26:42,973 --> 00:26:44,213 - Oh, just there, I think. 564 00:26:45,609 --> 00:26:49,412 - I must admit to, uh, feeling a little like a conjuring uncle 565 00:26:49,447 --> 00:26:50,560 at a birthday party. 566 00:26:50,776 --> 00:26:52,367 Well, here goes. 567 00:26:53,205 --> 00:26:54,443 - Abracadabra. 568 00:26:57,625 --> 00:26:59,487 - Oh, Richard, say you like it. 569 00:27:01,316 --> 00:27:03,745 Well, I, ha...I don't know what to say, ah. 570 00:27:04,413 --> 00:27:07,110 - [ R ] It takes a little getting used to, ah. 571 00:27:08,053 --> 00:27:10,412 - [ R ] It, it's almost glowing. 572 00:27:10,904 --> 00:27:14,533 - [ R ] Uh, uh, (tawnid), ha, ha, is that the word? 573 00:27:15,663 --> 00:27:17,596 Makes you look a bit of a wild cat. 574 00:27:19,933 --> 00:27:21,681 - It, it's certainly unusual. 575 00:27:22,654 --> 00:27:25,572 - [ R ] Distinguished, in a way. 576 00:27:26,589 --> 00:27:28,788 - It, it, it does grow on one. 577 00:27:31,401 --> 00:27:33,282 - Is your hair really that color? 578 00:27:33,317 --> 00:27:34,463 - [ S ] I think so. 579 00:27:35,558 --> 00:27:37,715 You don't think you've gone too far? 580 00:27:40,703 --> 00:27:46,674 - It's, uh,...a bit blurry. - That's the new brush work. 581 00:27:46,709 --> 00:27:48,545 - Mr. Scone will think us such philistines. 582 00:27:48,580 --> 00:27:51,155 - Lady Marjorie, I'm afraid you won't convert your husband 583 00:27:51,190 --> 00:27:53,730 - to the new impressionist. - No. No, no, no, I like it. 584 00:27:54,446 --> 00:27:56,049 - I've made up my mind. 585 00:27:56,737 --> 00:27:59,653 - Thank you, Scone. Now, then... 586 00:28:01,035 --> 00:28:02,197 where shall we hang it? 587 00:28:02,229 --> 00:28:04,412 - Uh, first, I would like to borrow it. 588 00:28:04,447 --> 00:28:06,406 - To borrow it? - If I may, yes. 589 00:28:06,512 --> 00:28:08,686 - I would like to submit it to the hanging committee 590 00:28:08,721 --> 00:28:10,446 - at the Royal Academy. - The Academy? 591 00:28:10,481 --> 00:28:12,910 Aren't they rather more traditional in their requirements? 592 00:28:12,983 --> 00:28:15,469 - Well, I think if you leave that to me I think it can be arranged. 593 00:28:15,982 --> 00:28:18,224 - Ah, yes, guaranteed a safe return, of course. 594 00:28:18,259 --> 00:28:20,186 - Richard, I think it's a wonderful idea. 595 00:28:21,189 --> 00:28:23,451 - Here! - Artistic license. 596 00:28:23,486 --> 00:28:24,670 - (Piggy thought). 597 00:28:26,723 --> 00:28:28,362 - Do I really look like that? 598 00:28:29,948 --> 00:28:31,544 - That's our room all right. 599 00:28:33,157 --> 00:28:34,924 - But, how do you know? You've never been there. 600 00:28:34,959 --> 00:28:36,006 - I didn't need to. 601 00:28:37,637 --> 00:28:38,809 - Who's that behind me? 602 00:28:38,920 --> 00:28:39,715 - Rose. 603 00:28:40,887 --> 00:28:42,995 - You've never seen Rose. - I have 604 00:28:43,030 --> 00:28:44,430 - through your eyes. 605 00:28:46,318 --> 00:28:49,345 - Ah, there's all my things. I leave them lying around. 606 00:28:49,380 --> 00:28:52,372 - Rose hangs hers up. She's the tidy one. - I know. 607 00:28:53,781 --> 00:28:56,252 - And, you don't mind me mentioned it, but 608 00:28:56,287 --> 00:28:58,541 - here there should be a little plaque with, 609 00:28:58,576 --> 00:29:01,170 - To Work is to Play, written on it. 610 00:29:01,205 --> 00:29:03,764 - Ah, To Work is... Yes. Uh, huh. 611 00:29:05,676 --> 00:29:06,666 - What'cha gonna' call it? 612 00:29:06,900 --> 00:29:07,981 - The Maids. 613 00:29:08,412 --> 00:29:09,618 - Uhhhh. 614 00:29:10,492 --> 00:29:12,462 - That's not very romantic, is it? 615 00:29:13,274 --> 00:29:15,257 - Why don't you call it something nice like... 616 00:29:16,302 --> 00:29:18,771 - Waiting for Dawn, or something like that. 617 00:29:18,806 --> 00:29:19,589 - Uh-uhh. 618 00:29:19,624 --> 00:29:21,546 - Well, there are pictures subtitled like that. 619 00:29:21,581 --> 00:29:23,249 - Well, we have other artists, too. 620 00:29:26,212 --> 00:29:28,086 - What'cha gonna' do with it now? 621 00:29:28,355 --> 00:29:29,223 - Sell it. 622 00:29:31,544 --> 00:29:33,547 - Sell me and Rose? - Uh-huh. 623 00:29:37,581 --> 00:29:39,574 - You won't need me anymore now, will you? 624 00:29:42,174 --> 00:29:44,841 - Now you've finished your rotten old picture. 625 00:29:47,338 --> 00:29:49,472 - Cast off like an old shoe. 626 00:29:52,003 --> 00:29:53,563 - You've used me. 627 00:29:53,672 --> 00:29:56,401 - No...art has used you, Sarah. 628 00:29:57,165 --> 00:29:58,814 And it's used me, too. 629 00:30:02,477 --> 00:30:03,162 - There. 630 00:30:06,764 --> 00:30:08,379 Just a minute, Mr. Scone. 631 00:30:09,625 --> 00:30:11,608 Why aren't I your mistress? 632 00:30:12,497 --> 00:30:13,832 What's the matter with me? 633 00:30:13,867 --> 00:30:16,895 I was good enough for your bleeding picture! 634 00:30:16,987 --> 00:30:19,613 - Oh, such language, Madame Bernhardt! 635 00:30:19,749 --> 00:30:21,729 - Oh! - Damn you! 636 00:30:21,764 --> 00:30:22,742 - What! Now, wait a minute. 637 00:30:22,777 --> 00:30:26,276 - I wouldn't be your mistress if you were the last man on earth! 638 00:30:26,311 --> 00:30:31,745 - But you might have bleeding asked me! - Ha, ha, ha. 639 00:30:32,899 --> 00:30:34,524 - What are you laughing for? 640 00:30:34,737 --> 00:30:37,041 - You and your idea of decency. 641 00:30:38,517 --> 00:30:41,109 - Stop it! Ha, ha. 642 00:30:53,515 --> 00:30:55,275 - That's not shocking. There's a good girl. 643 00:30:58,058 --> 00:30:59,423 - It's our last night together. 644 00:31:00,678 --> 00:31:01,937 - I'll take you out to supper. 645 00:31:03,856 --> 00:31:05,315 - Then we'll go to the Bioscope. 646 00:31:08,960 --> 00:31:10,149 - How about that, huh? 647 00:31:10,947 --> 00:31:13,365 - Charmed I'm sure, Mr. Scone. 648 00:31:14,955 --> 00:31:18,628 [ Sarah singing in the hallway ] Rose rattling dishes. 649 00:31:23,314 --> 00:31:24,023 [ Door opens ] 650 00:31:25,477 --> 00:31:27,947 [ Continues singing--loudly ] 651 00:31:28,222 --> 00:31:30,032 - I don't know what the world is coming to. 652 00:31:30,067 --> 00:31:31,261 - What's that, Mr. Hudson? 653 00:31:31,296 --> 00:31:35,610 - House of Commons (Cumberland) sends transfer to Middleboro for 1000 pounds. 654 00:31:36,144 --> 00:31:38,368 - No footballer is worth that amount of money. 655 00:31:38,962 --> 00:31:40,966 - It's not a game anymore, it's a blooming trade. 656 00:31:41,001 --> 00:31:42,527 - (Not to me), Mr. Hudson. 657 00:31:43,080 --> 00:31:45,024 - I didn't ask for your opinion, Sarah. 658 00:31:45,059 --> 00:31:47,457 - (Now that happen), clear the table. 659 00:31:47,492 --> 00:31:49,855 [ Sarah continues to sing and hum ] 660 00:31:51,248 --> 00:31:52,478 - Great heaven! 661 00:31:54,020 --> 00:31:55,178 - Sarah, what have you done? 662 00:31:55,213 --> 00:31:55,937 What do you mean? 663 00:31:56,068 --> 00:31:59,172 I haven't done nothing, Mr. Hudson. [ Bell rings ] 664 00:32:00,803 --> 00:32:03,238 - Gasp! That's today's paper. - Burn this 665 00:32:03,273 --> 00:32:04,696 at once in the kitchen range, you understand? 666 00:32:04,731 --> 00:32:06,788 And nobody must see it. Burn it! 667 00:32:06,823 --> 00:32:07,566 - What's the matter? 668 00:32:07,601 --> 00:32:09,962 Don't just stand there, girl, burn it! 669 00:32:12,071 --> 00:32:14,487 And you wait in here, my girl, until I return. 670 00:32:19,517 --> 00:32:21,266 - What happened to the paper this morning, Hudson? 671 00:32:21,301 --> 00:32:22,644 - Eh, not come yet sir. 672 00:32:22,895 --> 00:32:24,688 - It would be late this morning when I especially wanted it. 673 00:32:24,723 --> 00:32:26,457 - I shall send someone around to enquire just 674 00:32:26,492 --> 00:32:27,606 - as soon as convenient, sir. 675 00:32:27,641 --> 00:32:29,530 - (I shall them to age) and I'll get my papers elsewhere 676 00:32:29,565 --> 00:32:30,796 - if they can't deliver on time. 677 00:32:30,831 --> 00:32:31,523 - Very good, sir. 678 00:32:31,558 --> 00:32:34,201 - And remind her ladyship to meet me at the Academy entrance at 4:30. 679 00:32:35,056 --> 00:32:37,493 - It should be quite an interesting afternoon, eh, Hudson? 680 00:32:37,528 --> 00:32:38,458 - Uh, quite, sir. 681 00:32:38,735 --> 00:32:41,152 Splendid morning. I think I'll walk across the park. 682 00:32:41,977 --> 00:32:44,801 Tell Pearce he can put the carriage away unless her ladyship wants it. 683 00:32:44,836 --> 00:32:45,712 Very good, sir. 684 00:32:50,153 --> 00:32:51,300 [ Door closes ] 685 00:33:02,064 --> 00:33:02,979 Now then. 686 00:33:05,492 --> 00:33:06,554 - Just you look at that. 687 00:33:07,803 --> 00:33:10,623 - Oh, that's my painting. 688 00:33:11,390 --> 00:33:13,889 - It's in the paper. - Read what it says underneath. 689 00:33:14,882 --> 00:33:16,409 - I can't, Mr. Hudson. - Come on, girl. 690 00:33:16,444 --> 00:33:17,937 Read what it says. You can talk to me. 691 00:33:17,972 --> 00:33:18,917 Read what it says out loud. 692 00:33:18,952 --> 00:33:20,195 No, the print's too small. 693 00:33:20,230 --> 00:33:22,359 Picture's turned out nice though, hasn't it? 694 00:33:22,666 --> 00:33:25,278 Very well. I'll read it for you. 695 00:33:28,696 --> 00:33:33,934 'Sensation of this year's Academy are undoubtedly two striking pictures 696 00:33:33,969 --> 00:33:36,182 - 'by Geoffrey Skawn,...' - Pronounced Scoon. 697 00:33:36,217 --> 00:33:36,860 - Shut up. 698 00:33:37,739 --> 00:33:40,274 '...artist nephew of the Countess of Abercraven, 699 00:33:40,309 --> 00:33:42,775 'hung side by side in fascinating counterpoint, 700 00:33:42,810 --> 00:33:45,393 ' "The Mistress and the Maids", as this pair of canvases 701 00:33:45,428 --> 00:33:47,941 'are already being called, are both scenes from the 702 00:33:47,976 --> 00:33:50,504 'house of Mr. Richard Bellamy, MP Undersecretary of State 703 00:33:50,539 --> 00:33:54,001 'for the Admiralty, and set a new fashion for home portraits. 704 00:33:54,215 --> 00:33:58,234 'Asked to name the model for the scantily-clad maidservant 705 00:33:59,225 --> 00:34:03,748 'in his canvas aptly entitled "The Maids," Mr. Geoffrey Skawn referred 706 00:34:03,783 --> 00:34:07,885 'our reporter to the servant's quarters at 165 Eaton Place.' 707 00:34:08,104 --> 00:34:08,957 What a cheek. 708 00:34:08,992 --> 00:34:11,207 How did than man get up to maid's quarters, eh? 709 00:34:11,242 --> 00:34:13,387 What has been going on behind my back, girl? 710 00:34:13,422 --> 00:34:15,693 I had the afternoon painting, like Lady Marjorie. 711 00:34:15,728 --> 00:34:16,652 But, not up in the maid's bedroom? 712 00:34:16,687 --> 00:34:18,782 No, he was in the drawing room painting her. 713 00:34:18,817 --> 00:34:20,728 Now, you've been up to your tricks again, my girl, haven't you? 714 00:34:20,763 --> 00:34:24,082 I haven't, Mr. Hudson, I went to his studio and posed for him in his bed. 715 00:34:24,736 --> 00:34:26,596 Uh, I mean the bed in the studio. 716 00:34:26,631 --> 00:34:28,921 - Now, don't lie, girl. - I'm not, Mr. Hudson. 717 00:34:28,956 --> 00:34:31,212 I went there every Wednesday. I got up early. 718 00:34:31,247 --> 00:34:32,254 [ Bell ringing ] 719 00:34:32,462 --> 00:34:33,706 Well, I can tell you one thing, my girl, [ Bell ringing ] 720 00:34:33,741 --> 00:34:37,500 there's going to be hell to pay in this house before the day is over. 721 00:34:37,535 --> 00:34:38,148 [ Door opens ] 722 00:34:40,762 --> 00:34:42,270 You mark my words. 723 00:34:45,926 --> 00:34:48,619 Good old Sarah. You got your face in the papers. 724 00:34:49,010 --> 00:34:49,895 Fancy. 725 00:34:54,553 --> 00:34:59,923 [ Indistinct talking ] 726 00:35:45,534 --> 00:35:47,374 - Go down and talk them now. - Very good, sir. 727 00:35:47,606 --> 00:35:49,547 Believe me, sir, if I had had the slightest inkling... 728 00:35:49,582 --> 00:35:51,140 - THAT will be all, Hudson. - Yes sir. 729 00:35:53,290 --> 00:35:54,661 [ Door slams shut ] 730 00:35:56,724 --> 00:35:58,555 - It's monstrous. - Yes, it is. 731 00:35:59,096 --> 00:36:00,520 - He must have crept up the back stairs, or something, 732 00:36:00,555 --> 00:36:01,572 - when Hudson wasn't looking. 733 00:36:02,032 --> 00:36:04,035 - The point is that we have been seriously damaged, 734 00:36:04,070 --> 00:36:07,215 - both socially and politically, by that irresponsible cad. 735 00:36:07,777 --> 00:36:10,000 - I never liked the fellow. He talked too much. 736 00:36:10,035 --> 00:36:12,223 - He is a good painter. - Oh, yes, I suppose so. 737 00:36:12,936 --> 00:36:15,395 - And we helped to establish his reputation at the cost of our own. 738 00:36:15,430 --> 00:36:17,330 All the same I do think the sensible thing 739 00:36:17,365 --> 00:36:19,231 is to try and treat the whole thing as a joke. 740 00:36:19,257 --> 00:36:22,246 It's no joke having one's wife made the laughing stock of London. 741 00:36:22,281 --> 00:36:24,479 - I agree. But if we're to survive the ridicule 742 00:36:24,514 --> 00:36:28,584 we must let our friend think that we're not annoyed but amused. 743 00:36:31,964 --> 00:36:33,867 - Of course the worst thing is to think that Rose could have 744 00:36:33,902 --> 00:36:36,687 - behaved so foolishly, leading the new girl astray. 745 00:36:36,803 --> 00:36:38,394 - So both have to be dismissed, you know. 746 00:36:38,429 --> 00:36:41,584 - Otherwise, the discipline of the whole household will collapse. 747 00:36:42,046 --> 00:36:43,142 - Indeed they will. 748 00:36:45,634 --> 00:36:49,012 (What cries out the most) is the impudence of that man Scone, 749 00:36:49,047 --> 00:36:52,205 Coming into this house and acting with such monstrous indiscretion. 750 00:36:58,199 --> 00:36:59,449 [ Door closes ] 751 00:37:00,771 --> 00:37:03,548 - You're to pack your trunks tonight and to be gone in the morning, the pair of you. 752 00:37:04,511 --> 00:37:06,945 - They'll pay you a month's wages, which is generous, in my opinion. 753 00:37:07,202 --> 00:37:09,728 - I doubt they'll ever want to set eyes on either of you again. 754 00:37:10,260 --> 00:37:12,477 - They were to have gone out for dinner tonight, but cancelled it now. 755 00:37:12,512 --> 00:37:14,243 - [ Sarah ] It's not fair. I haven't done nothing wrong. 756 00:37:14,278 --> 00:37:15,960 - Nothing wrong you call it. Only to make this house 757 00:37:15,995 --> 00:37:17,275 - the laughing stock of London. 758 00:37:17,601 --> 00:37:19,261 - Those are the master's own wants. 759 00:37:19,545 --> 00:37:21,495 - Oh, he's in a terrible rage, and who's to blame him. 760 00:37:21,530 --> 00:37:22,907 - I don't know how you could hurt him. 761 00:37:22,942 --> 00:37:25,311 - [ S ] But what have you done? What have any of us done 762 00:37:25,346 --> 00:37:26,614 - for that matter, even me? 763 00:37:26,858 --> 00:37:28,609 - Oh, Rose, I'm sorry. 764 00:37:29,709 --> 00:37:30,601 - [ S? ] What did you say? 765 00:37:30,636 --> 00:37:32,392 I told him I didn't know anything about it, 766 00:37:32,427 --> 00:37:34,996 and what I did not know, I could not be held responsible for. 767 00:37:35,444 --> 00:37:37,709 Ignorance is no excuse in law, he said. 768 00:37:37,744 --> 00:37:39,456 It is your job to know. That's what you're paid for. 769 00:37:39,732 --> 00:37:41,374 - So I said... - What? 770 00:37:41,644 --> 00:37:44,225 - I told him there was no knowing with you modern girls. 771 00:37:44,260 --> 00:37:47,180 Not like my young day when girls were properly brought up and 772 00:37:47,215 --> 00:37:48,318 glad to get a good position. 773 00:37:48,498 --> 00:37:51,028 I told him I had no respect for the changing times. 774 00:37:51,063 --> 00:37:53,226 That you were all as deceitful as a wagonload of monkeys. 775 00:37:53,261 --> 00:37:55,703 - You mean you let him think what he likes, and let us take the blame. 776 00:37:55,777 --> 00:37:57,549 - I've got my own position to think of. 777 00:37:58,308 --> 00:37:59,482 - And the family's. 778 00:38:01,139 --> 00:38:02,204 - Oh, Sarah. 779 00:38:05,433 --> 00:38:06,786 - Never mind, Rose. 780 00:38:07,999 --> 00:38:10,402 - I don't see why you should suffer. You didn't even have the fun. 781 00:38:10,410 --> 00:38:12,608 - They can't blame you if I tell them the truth. 782 00:38:12,643 --> 00:38:13,921 - Come on. - Where to? 783 00:38:13,956 --> 00:38:16,052 - I'm going upstairs and tell them the whole story. 784 00:38:16,087 --> 00:38:19,819 - They can get rid of me if they like, but not you, that's not fair. 785 00:38:19,967 --> 00:38:21,188 - We can't go up there 786 00:38:21,223 --> 00:38:24,721 - without being sent for. - Oh, yes we can. 787 00:38:27,786 --> 00:38:29,642 - Excuse my, my lady, sir. 788 00:38:29,677 --> 00:38:31,054 Send them away, please Richard. 789 00:38:31,089 --> 00:38:32,751 - But, my lady, it wasn't our fault. 790 00:38:32,993 --> 00:38:34,506 - I didn't know he was going to put me up 791 00:38:34,541 --> 00:38:35,969 - and show me in front of everybody. 792 00:38:36,004 --> 00:38:38,181 - I thought he was only do.... - I really can't stay here 793 00:38:38,216 --> 00:38:39,756 and listen to all these excuses. 794 00:38:41,497 --> 00:38:42,848 - (Well, I think the done.) 795 00:38:48,253 --> 00:38:51,667 Your mistress feels betrayed in her own home by people she trusted. 796 00:38:53,906 --> 00:38:55,707 That's all there is to be said. 797 00:38:55,742 --> 00:39:00,203 - I beg your pardon, sir, but it isn't. - Isn't? - It isn't just, sir, not to Rose. 798 00:39:00,238 --> 00:39:02,754 - She never had nothing to do (with him Scone on me). 799 00:39:02,789 --> 00:39:03,679 - It was all me. 800 00:39:03,714 --> 00:39:05,346 - No use, Sarah. - Yes it is. 801 00:39:05,519 --> 00:39:06,735 [ Loud ] - Now, listen! 802 00:39:07,710 --> 00:39:09,999 - He asked me to go to his studio. 803 00:39:10,063 --> 00:39:12,210 I went there every Wednesday I had off. 804 00:39:12,504 --> 00:39:14,565 He never came anywhere near this place, and Rose 805 00:39:14,600 --> 00:39:15,809 has never seen him in her life. 806 00:39:18,272 --> 00:39:19,465 [ Soft ] Now, look, sir. 807 00:39:20,314 --> 00:39:21,773 You're a fair man. 808 00:39:21,808 --> 00:39:24,949 You wouldn't want to see an injustice done, would you? 809 00:39:26,215 --> 00:39:28,449 - I will not be badgered by my own servants 810 00:39:28,484 --> 00:39:29,401 - in my own drawing room. 811 00:39:45,942 --> 00:39:48,377 - Well, I went and told the truth. - What good will that do? 812 00:39:48,412 --> 00:39:50,246 - No gentleman would stick up for two servants 813 00:39:50,281 --> 00:39:51,506 - no matter what the truth was. 814 00:39:51,621 --> 00:39:54,441 - Night after night, slumming with a servant girl. 815 00:39:54,476 --> 00:39:56,494 - Rose, he's not like that. He says in Paris... 816 00:39:56,529 --> 00:39:58,387 - Paris. Paris. Who cares what goes on there? 817 00:39:58,422 --> 00:39:59,568 - This is London. 818 00:39:59,936 --> 00:40:03,460 - Oh, a gentleman can marry a chorus girl. That's romantic. 819 00:40:03,486 --> 00:40:05,380 - If you don't exactly get it in the papers, 820 00:40:05,415 --> 00:40:06,754 - that he's carryin' on with a scivvy. 821 00:40:07,297 --> 00:40:09,008 - No, he got what he wanted from you, and you was fool 822 00:40:09,043 --> 00:40:10,702 - enough to give it to him. - I never did! 823 00:40:10,737 --> 00:40:11,749 - Now, listen Rose. 824 00:40:12,475 --> 00:40:15,580 - I've tried to make things all right, and it's no use being cross with me. 825 00:40:16,407 --> 00:40:18,574 - I'll make him tell old Bellamy the truth. 826 00:40:18,609 --> 00:40:20,624 - How. - I donno how! 827 00:40:20,659 --> 00:40:21,985 - But I'll think of something. 828 00:40:22,658 --> 00:40:24,931 - [ Sarah ] It's all right for me, but Rose is different. 829 00:40:25,387 --> 00:40:28,586 She's never done anything else. She wouldn't know how to start again. 830 00:40:29,057 --> 00:40:32,751 She's set her heart on working herself to be a housekeeper one day. 831 00:40:32,786 --> 00:40:35,618 She wasn't even there, so why should she suffer? 832 00:40:35,653 --> 00:40:37,081 - The survival of the fittest. 833 00:40:37,116 --> 00:40:40,580 - And who are you, Mr. Bleeding Scone to decide who's fit. 834 00:40:40,615 --> 00:40:43,859 - If you could keep that flash for long enough, I could use you again. 835 00:40:46,007 --> 00:40:47,587 [ Tearful ] Mr. Scone. 836 00:40:49,160 --> 00:40:51,560 I've been pushed around all my life. 837 00:40:52,309 --> 00:40:55,521 (I've only went visit since you this year. ) I'd thought I found it. 838 00:40:55,556 --> 00:40:58,723 - Now, you deceive yourself, and the truth is not in you. 839 00:40:59,233 --> 00:41:01,798 - But you don't deceive me. - (You're sick...) - Ahh! 840 00:41:01,833 --> 00:41:03,408 - Now, now, now, chit, chit, chit. 841 00:41:03,443 --> 00:41:04,672 - Now, look. Now, look. 842 00:41:04,786 --> 00:41:06,109 - What do you expect me to do, eh? 843 00:41:07,207 --> 00:41:08,973 - I can't employ you both, now can I? 844 00:41:09,970 --> 00:41:13,377 - I could ask my rich relations if they could use a couple of kitchen maids 845 00:41:13,412 --> 00:41:16,216 - in the castle. - I want you to tell 'em the truth. 846 00:41:16,251 --> 00:41:16,936 What truth? 847 00:41:16,971 --> 00:41:19,353 They think we let you come up into our bedroom 848 00:41:19,388 --> 00:41:20,444 and paint us in bed. 849 00:41:20,479 --> 00:41:22,862 [ Laughing ] - What are you laughing for? 850 00:41:22,897 --> 00:41:25,105 - The bourgeois mentality. 851 00:41:25,375 --> 00:41:28,461 - So they think I've been creeping through the little green beige door 852 00:41:28,496 --> 00:41:29,659 - up to the attic, do they? 853 00:41:29,694 --> 00:41:31,157 - Lady Marjorie's terribly upset. 854 00:41:31,192 --> 00:41:32,673 - You shouldn't have done it to us. - Done what? 855 00:41:32,708 --> 00:41:34,500 - Humiliated her in public. 856 00:41:34,879 --> 00:41:36,961 - That is the price of being in the public eye. 857 00:41:36,996 --> 00:41:39,044 - And, now don't pretend you're sorry for her. 858 00:41:39,079 --> 00:41:39,810 - I am. 859 00:41:40,001 --> 00:41:42,437 - If it had been me, I'd of... I'd of died of shame. 860 00:41:42,472 --> 00:41:45,522 - Look, I am a painter and I paint pictures, and that's that. 861 00:41:45,785 --> 00:41:48,818 - You can all go to hell with your sickly hothouse emotions. 862 00:41:48,853 --> 00:41:51,210 - I'm going back to Paris first thing in the morning. 863 00:41:51,854 --> 00:41:53,713 - (And hear of this damp and cloy.) 864 00:41:53,748 --> 00:41:56,058 - Don't go like that. You can't. - I am. 865 00:41:56,093 --> 00:41:57,633 - Now, go away and leave me alone. 866 00:41:58,544 --> 00:41:59,411 - Ugh! 867 00:42:02,249 --> 00:42:02,917 Look. 868 00:42:12,904 --> 00:42:14,601 I'll come and live here with you. 869 00:42:15,268 --> 00:42:17,739 And look after you, and be your... 870 00:42:18,853 --> 00:42:22,137 Whatever you like, only... get Rose off. 871 00:42:22,525 --> 00:42:23,778 Just do that. 872 00:42:26,491 --> 00:42:27,893 I'll do anything you want. 873 00:42:31,900 --> 00:42:32,750 Anything? 874 00:42:35,421 --> 00:42:36,480 All right. 875 00:42:38,167 --> 00:42:39,431 Take your clothes off. 876 00:42:45,028 --> 00:42:46,077 All of them. 877 00:42:50,041 --> 00:42:50,872 Go on! 878 00:42:54,198 --> 00:42:55,304 Would you like a drink? 879 00:42:56,851 --> 00:42:58,105 You may need one. 880 00:42:59,001 --> 00:43:02,084 You've no idea how bizarre my tastes might be. 881 00:43:02,119 --> 00:43:05,168 [ Voices heard ] I guess there's someone coming. 882 00:43:05,203 --> 00:43:07,055 - I know. [ Knocking on door ] 883 00:43:07,555 --> 00:43:08,159 - Go on. 884 00:43:09,361 --> 00:43:11,497 [ Knocking on door ] - Scone! 885 00:43:11,532 --> 00:43:13,633 - Oh, no. That's all I need. 886 00:43:14,407 --> 00:43:17,232 - You better get behind that screen. You might learn something. 887 00:43:22,043 --> 00:43:23,575 [ Off-screen ] - Ah, Bellamy. - May I come in? 888 00:43:23,610 --> 00:43:24,763 - By all means. 889 00:43:27,871 --> 00:43:30,742 - Mr. Scone, I'd like to get this thing settled once and for all. 890 00:43:30,777 --> 00:43:33,245 - Uh, Have you, uh, come to challenge me to a duel? 891 00:43:33,667 --> 00:43:35,967 - Walking sticks or paint brushes at fifty yards. 892 00:43:36,002 --> 00:43:38,028 - You can drop the flippancy and tell me why you did it. 893 00:43:38,063 --> 00:43:38,838 - I did what? 894 00:43:39,622 --> 00:43:40,513 - The paintings. 895 00:43:40,548 --> 00:43:42,212 - I painted two pictures and exhibited them. 896 00:43:42,247 --> 00:43:42,998 - And that's what they're for. 897 00:43:43,033 --> 00:43:45,106 - Surely you must know that to hang those pictures side by side 898 00:43:45,141 --> 00:43:46,592 - will lead to gossip and comparison. 899 00:43:46,627 --> 00:43:47,891 - It never entered my head. 900 00:43:47,926 --> 00:43:49,413 - Huh. Would you like a drink? - No. 901 00:43:49,448 --> 00:43:51,993 - I forgot about our class conscious society. 902 00:43:52,028 --> 00:43:54,618 - I thought they were works of art not social comment. 903 00:43:54,653 --> 00:43:56,366 - Was it necessary to use my underhouse maid? 904 00:43:56,401 --> 00:43:58,478 - Sarah of the expressive eyes? 905 00:43:58,644 --> 00:44:01,187 - Both girls have got some cock-and-bull story about 906 00:44:01,222 --> 00:44:02,507 - her visiting this studio. 907 00:44:02,542 --> 00:44:03,816 - Well, what do you want me to say? 908 00:44:04,087 --> 00:44:06,759 - Sarah came here on her evenings off. 909 00:44:07,168 --> 00:44:09,097 - Oh, she seems to like you, by the way. 910 00:44:09,482 --> 00:44:11,796 - I trust you haven't been discussing me with my servants? 911 00:44:11,831 --> 00:44:14,507 - Really, Bellamy, there's no pleasing you this evening, is there? 912 00:44:14,948 --> 00:44:16,275 I thought you would like to know that 913 00:44:16,310 --> 00:44:19,264 a pretty girl thinks you're a good master. 914 00:44:19,299 --> 00:44:20,844 And which of the two did you find the prettier? 915 00:44:20,879 --> 00:44:21,731 Which did you? 916 00:44:22,116 --> 00:44:22,945 I've only seen one. 917 00:44:22,980 --> 00:44:24,695 Do you honestly expect me to believe that... 918 00:44:24,730 --> 00:44:25,710 Yes, I do. 919 00:44:25,994 --> 00:44:27,649 Do you think I'm such a poor artist that I can't 920 00:44:27,684 --> 00:44:29,269 imagine the interior of a housemaid's attic? 921 00:44:29,304 --> 00:44:31,398 Are you prepared to give me your word that you were never 922 00:44:31,433 --> 00:44:32,359 upstairs in that room? 923 00:44:32,394 --> 00:44:32,917 Yes. 924 00:44:33,775 --> 00:44:36,960 I went to your house every afternoon for one reason only. 925 00:44:37,472 --> 00:44:39,168 To paint your wife's portrait. 926 00:44:40,434 --> 00:44:41,566 - So they were telling the truth? 927 00:44:41,601 --> 00:44:43,618 Your servants? Yes. 928 00:44:44,424 --> 00:44:45,852 I'm afraid you'll have to keep them. 929 00:44:46,852 --> 00:44:48,925 That will depend on my wife's attitude. 930 00:44:48,960 --> 00:44:49,918 Oh, I don't know. 931 00:44:50,317 --> 00:44:52,587 Think of the ammunition it will give the Liberals 932 00:44:52,658 --> 00:44:54,590 when they find out a junior minister, 933 00:44:55,319 --> 00:44:58,014 a member of the Committee for Imperial Defence, 934 00:44:58,833 --> 00:45:01,668 had dismissed two of his servants for no reason at all 935 00:45:01,703 --> 00:45:03,566 except that his wife's vanity was ruffled. 936 00:45:03,600 --> 00:45:04,886 - Tsk, tsk, tsk, tsk, tsk. 937 00:45:04,921 --> 00:45:08,313 - The radicals would call it victimization, a favorite word of theirs. 938 00:45:08,348 --> 00:45:09,918 - I don't think that Balfour would thank you 939 00:45:09,953 --> 00:45:11,324 - for adding to his troubles. 940 00:45:12,072 --> 00:45:13,592 - Even if you offered to resign. 941 00:45:14,827 --> 00:45:16,677 - I'd forget all about it if I were you. 942 00:45:17,020 --> 00:45:18,750 - You'll find that everyone else will do the same. 943 00:45:19,185 --> 00:45:20,914 You sound like a blackmailer, Scone. 944 00:45:21,539 --> 00:45:25,336 However, I will accept your word that you painted my servant in the studio. 945 00:45:25,986 --> 00:45:28,944 Well, I'll leave you to your... [ A noise behind the screen ] 946 00:45:29,185 --> 00:45:30,015 - to your work. 947 00:45:31,048 --> 00:45:32,495 - Well, thank you for receiving me. 948 00:45:32,530 --> 00:45:34,439 - Yes, sir. - Goodnight, Scone. - Goodnight. 949 00:45:49,166 --> 00:45:50,879 - Thank you, Mr. Scone. 950 00:46:01,876 --> 00:46:03,969 - And you'd have done that.... 951 00:46:05,974 --> 00:46:06,937 - for Rose? 952 00:46:07,186 --> 00:46:07,871 - Huh? 953 00:46:09,318 --> 00:46:11,629 - Well, my divine Sarah... 954 00:46:12,813 --> 00:46:14,875 - we'll open another bottle of champagne 955 00:46:15,294 --> 00:46:16,253 - to celebrate. 956 00:46:16,557 --> 00:46:17,632 - Celebrate what? 957 00:46:19,075 --> 00:46:20,512 - We'll think of something. 958 00:46:22,895 --> 00:46:25,589 - Oh, I wished you'd seen our picture, Rose. 959 00:46:25,854 --> 00:46:26,940 - Just once. 960 00:46:28,509 --> 00:46:30,975 - We could still go, you know. It's open to the public. 961 00:46:31,010 --> 00:46:32,974 - Why, you'd be recognized. 962 00:46:33,866 --> 00:46:36,011 - No, it's best to forget all about it. 963 00:46:37,046 --> 00:46:38,630 - I don't think I'll ever forget. 964 00:46:39,676 --> 00:46:41,209 - Was he that nice? 965 00:46:44,101 --> 00:46:45,386 - He's funny. 966 00:46:49,747 --> 00:46:50,712 - Rose! 967 00:46:51,501 --> 00:46:52,427 - Yes. 968 00:46:53,276 --> 00:46:55,540 - D'you think you could come along when I meet him again? 969 00:46:56,221 --> 00:46:58,014 - Yes, if you want to. 970 00:46:58,049 --> 00:47:01,294 - You see, at the Bioscope, there's words between the pictures. 971 00:47:01,329 --> 00:47:04,539 - and if you can't read them you don't know what's going on. 972 00:47:04,574 --> 00:47:05,367 - Oh. 973 00:47:06,780 --> 00:47:09,539 - Aw, we'll go together someday, Rose. 974 00:47:10,096 --> 00:47:11,122 - I'll take you. 975 00:47:14,848 --> 00:47:16,763 - I'm sorry I got you in all that trouble. 976 00:47:17,065 --> 00:47:19,210 - Oh, you made it come all right in the end. 977 00:47:22,795 --> 00:47:24,265 - Aren't men funny.